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A Dream

by Sonar Atmosfera

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photo credit: Tiago Lima

NEW YORK MUSIC DAILY album review by delarue

Darkly Drifting, Reverb-Drenched Soundscapes From Sonar Atmosfera
by delarue

Since the late zeros, guitarist Thomas Simon has worked a darkly cinematic, swirling sound that veers from anthemic post-Bauhaus rock, to ominously epic instrumental tableaux, to hypnotic loopmusic. His latest project, appropriately titled Sonar Atmosfera – streaming at Bandcamp – is a collaboration with psychedelic tropical band Baianasystem‘s João Milet Meirelles. In a lot of ways it’s one long, brooding theme, but the subtle variations are very psychedelic. It’s a great late-night, lights-out listen.

Simon’s guitar flickers and crackles, awash in reverb and smoky atmospherics as the album’s first track, Feel the Hope gathers steam. A drumbeat enters the picture and suddenly this one-chord jam takes on a swaying insistence, akin to a trip-hop take on Pink Floyd’s Run Like Hell.

The second track, Resist is completely different, a lot closer to Baianasystem’s woozy, loopy dub: halfway through, Simon’s spare, resonant phrases add a distant ominousness. The guitar snarling in Live For the Run subsides for a couple of momentary, Bauhaus-like lulls. The two segue from there into The Trip, with its spacious, low-register, bell-like accents and steady, syncopated drum loops.

Blippy, motorik beats and Space Invaders sonics contrast with Simon’s allusive chordlets and menacing chromatics in A Dream. Fight With Love, a brief postapocalyptic scenario, has snippets of movie dialogue. The eleven-minute epic My Story slowly rises from atmospheric minimalsm: Brian Eno’s Apollo comes to mind.

The album’s most hypnotic, loopy number, Condor Jam is built around a simple 1-4-5 reverb guitar riff spiced with gritty, distorted motives. Manic World finally reaches that point, a chilly dancelfloor thud pushing Simon’s spacious, cumulo-nimbus phrasing out of the picture. Simon’s forlorn, desolate, clanging phrases and chords ring out over shifting textures in the album’s final epic, On Land.


PUBLISHED: April 29, 2020
FILED UNDER: art-rock, film music, music, psychedelic rock, review, rock music
TAGS: album review : ambient music : atmospheric music : BaianaSystem : bauhaus band : brian eno : goth music : goth rock : gothic music : gothic rock : João Milet Meirelles : loopmusic : music : music review : pink floyd : psychedelia : psychedelic music : psychedelic rock : thomas simon : thomas simon guitar : thomas simon music : Thomas Simon Sonar Atmosfera : thomas simon Sonar Atmosfera review

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Sonar Atmosfera New York, New York

Introducing the far out collaboration of producers/composers João Milet Meirelles (Baiana System) & Thomas Simon Vortex:

Sonar Atmosfera!

Dark ambient electronics. Tribal beats.
Tuned down catchy guitar riffs drifting into space. Sparse, yet powerful vocals.

Recorded and mixed in Salvador, Brazil, with Sonar Atmosfera Meirelles and Simon push to create their own genre.
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